The musical debuted on Broadway in March 2014, then launched productions in Germany, Japan, and London, with such hits as A Whole New World, Prince Ali, and Friend Like Me, plus songs cut from the film and restored for the stage version, including Proud Of Your Boy, one of the late songwriter Howard Ashman’s final contributions to the film.
In its extravagance, its fantastical staging and costuming, and in its fizzing combination of song and dance, the production has been celebrated by critics and audiences alike. The show won a Tony for James Monroe Iglehart, who played the Genie.
Add this magic moment, in combination with some amazing special effects and really precise and well-timed choreography, and you have a way to take your audiences for a ride they won’t soon forget. Crowley’s artistry, the performers’ talents, and the creative, hard-working production team behind the scenes all come together to make Aladdin on Broadway not just a sensual, but also a visual treat.